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18,79 €
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Culture Strike
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined.In an age of protest, culture and museums have come under fire. Protests against museum funding (like the Metropolitan Museum accepting Sackler family money) and boards (such as the Whitney appointing tear gas manufacturer Warren Kanders)—to say nothing of demonstrations over exhibitions and artworks—have roiled cultural institutions across the world, from the Guggenheim…
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- Author: Laura Raicovich
- Publisher: Verso Books
- Year: 2023
- Pages: 224
- ISBN-10: 1839767839
- ISBN-13: 9781839767838
- Format: 12.6 x 19.4 x 1.5 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined.In an age of protest, culture and museums have come under fire. Protests against museum funding (like the Metropolitan Museum accepting Sackler family money) and boards (such as the Whitney appointing tear gas manufacturer Warren Kanders)—to say nothing of demonstrations over exhibitions and artworks—have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. Meanwhile never have there been more calls for museums to work for social change.
In this book, Raicovich shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.
The promotion ends in 
- Author: Laura Raicovich
- Publisher: Verso Books
- Year: 2023
- Pages: 224
- ISBN-10: 1839767839
- ISBN-13: 9781839767838
- Format: 12.6 x 19.4 x 1.5 cm, minkšti viršeliai
- Language: English English
A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined.
In an age of protest, culture and museums have come under fire. Protests against museum funding (like the Metropolitan Museum accepting Sackler family money) and boards (such as the Whitney appointing tear gas manufacturer Warren Kanders)—to say nothing of demonstrations over exhibitions and artworks—have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. Meanwhile never have there been more calls for museums to work for social change.
In this book, Raicovich shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.
In an age of protest, culture and museums have come under fire. Protests against museum funding (like the Metropolitan Museum accepting Sackler family money) and boards (such as the Whitney appointing tear gas manufacturer Warren Kanders)—to say nothing of demonstrations over exhibitions and artworks—have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. Meanwhile never have there been more calls for museums to work for social change.
In this book, Raicovich shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.
Reviews